# Review: BeatSkillz � ReeLight v2.0.0
ReeLight is a tape saturation plugin that emulates the sound of vintage tape machines. It can add warmth, color and character to your tracks, as well as enhance the dynamics and reduce the digital harshness. ReeLight v2.0.0 is the latest update from BeatSkillz, which adds new features and improvements to the original version.
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ReeLight v2.0.0 is compatible with Windows and Mac OS X, and supports VST, VST3, AAX and AU formats. It has a simple and intuitive interface, with four main controls: input gain, tape drive, output gain and mix. You can also adjust the tape speed, bias, wow and flutter, noise level and type, and high frequency trim. ReeLight v2.0.0 also introduces a new oversampling option, which can improve the sound quality and reduce aliasing artifacts.
ReeLight v2.0.0 can be used on individual tracks or on the master bus, depending on your preference and needs. It can add subtle warmth and glue to your mix, or create more drastic effects like tape distortion and saturation. You can also use it as a creative tool, by experimenting with different tape speeds and types, or by automating the parameters for dynamic changes.
ReeLight v2.0.0 is a versatile and easy-to-use tape saturation plugin that can enhance your productions with a vintage vibe. It is available for purchase from BeatSkillz website for $59 USD, or as part of their Tape Bundle for $99 USD.
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In this review, we will take a closer look at ReeLight v2.0.0 and see how it performs on different types of audio material. We will also compare it with some other tape saturation plugins on the market, and see how it stacks up against the competition.
## ReeLight v2.0.0 in action
We tested ReeLight v2.0.0 on a variety of tracks, including drums, bass, guitar, vocals, synths and piano. We used the default settings for each track, and then tweaked the parameters to suit our taste and goals. Here are some of the results we obtained:
- Drums: ReeLight v2.0.0 added punch and weight to the drums, making them sound more lively and dynamic. The tape drive control allowed us to dial in the right amount of saturation and distortion, without losing clarity or definition. The wow and flutter controls added some subtle movement and variation to the drum loop, making it sound more organic and realistic.
- Bass: ReeLight v2.0.0 enhanced the low end of the bass, giving it more depth and presence. The tape speed control allowed us to choose between a tighter and brighter sound (15 ips) or a warmer and smoother sound (7.5 ips). The noise control added some grit and texture to the bass, making it cut through the mix better.
- Guitar: ReeLight v2.0.0 added warmth and color to the guitar, making it sound more rich and full. The bias control allowed us to adjust the amount of compression and harmonic distortion, creating different tones and timbres. The high frequency trim control allowed us to tame or boost the high end of the guitar, depending on the desired brightness.
- Vocals: ReeLight v2.0.0 added character and smoothness to the vocals, making them sound more polished and professional. The mix control allowed us to blend the dry and wet signals, creating a subtle or more pronounced effect. The oversampling control improved the sound quality and reduced aliasing artifacts, especially on higher frequencies.
- Synths: ReeLight v2.0.0 added interest and movement to the synths, making them sound more lively and dynamic. The tape type control allowed us to choose between different types of tape machines, each with its own sonic characteristics and quirks. The flutter control added some modulation and pitch variation to the synths, creating a vintage feel.
- Piano: ReeLight v2.0.0 added warmth and body to the piano, making it sound more natural and realistic. The input gain control allowed us to adjust the level of saturation and distortion, creating a clean or dirty sound. The noise type control allowed us to choose between different types of noise sources, such as hiss, hum or crackle.
As you can see, ReeLight v2.0.0 can work well on different types of audio material, adding tape saturation effects that can enhance your tracks in various ways.
## ReeLight v2.0.0 vs other tape saturation plugins
There are many other tape saturation plugins available on the market, each with its own features and advantages. Some of the most popular ones are:
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- Waves J37 Tape: This plugin emulates the legendary Abbey Road Studios tape machine used by The Beatles and other artists. It offers three tape formulas, four noise types, wow and flutter controls, delay effects and more.
- U-he Satin: This plugin emulates various types of tape machines from different eras, such as studio recorders, cassette decks and tape echoes. It offers tape speed, bias, azimuth, gap width controls, flange effects and more.
- Softube Tape: This plugin emulates three classic tape machines from different decades, such as a Swiss high-end machine from the 70s, a British machine from the 80s and an American machine from the 90s. It offers tape speed, amount controls, crosstalk effects and more.
How does ReeLight v2.0.0 compare with these plugins? Well, it depends on your preferences and needs.
ReeLight v2.0.0 is simpler and easier to use than these plugins, as it has fewer controls and options to tweak. It also has a lower CPU usage than these plugins, which can be important if you have a lot of tracks or a slow computer.
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