@@ -66,165 +66,6 @@ which scares away people.
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@end ignore
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- @item Calculation of note head durations is now softcoded.
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-
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- @lilypond [relative=1,fragment,ragged-right]
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- %% use half heads for whole notes.
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- \override NoteHead #'duration-log = 1
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- c1 c2 c4 c8[ c16 c]
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- @end lilypond
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-
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-
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- @c Please insert any new material above this line. -gp
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-
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- @item Chords can now be partially tied,
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-
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- @lilypond [ragged-right,relative,fragment]
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- <c~ e g~ b> <c e g b>
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- @end lilypond
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-
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- This feature was sponsored by Steve Doonan.
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-
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- @item Lyric extenders now have tunable padding.
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-
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- This feature was sponsored by David Griffel.
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-
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- @item
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- Instrument changes are better supported: names in the margin can be
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- changed half-way during a staff, and cues are printed automatically.
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-
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- This feature was sponsored by Kieren MacMillan.
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-
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- @item
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- Barlines can be dashed now,
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-
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- @lilypond [relative,ragged-right,fragment]
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- c4 \bar "dashed" c4
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- @end lilypond
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-
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- This feature was sponsored by Kieren MacMillan.
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-
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- @item
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- Grace notes may be forced to use floating spacing,
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-
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- @lilypond [relative=2,ragged-right]
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- <<
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- \override Score.SpacingSpanner #'strict-grace-spacing = ##t
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- \new Staff {
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- c'4
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- \afterGrace
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- c'4
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- { c'16[ c'8 c'16] }
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- c'4
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- }
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- \new Staff {
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- c'16[ c'16 c'16 c'16]
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- c'16[ c'16 c'16 c'16]
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- c'4
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- }
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- >>
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- @end lilypond
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-
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- This feature was sponsored by Trevor Bača.
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-
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-
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- @item
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- Durations of grace notes are taken into account for spacing,
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-
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- @lilypond [relative=2,ragged-right,fragment]
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- c
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- \grace { c8[ c16 d c8] }
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- c
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- @end lilypond
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-
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- This feature was sponsored by Trevor Bača.
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-
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- @item
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- Tuplet brackets can be made to run to prefatory matter or
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- the next note
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-
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- @lilypond [ragged-right]
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- \new RhythmicStaff {
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- \set tupletFullLength = ##t
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- \time 4/4
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- \times 4/5 {
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- c4 c1
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- }
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- \set tupletFullLengthNote = ##t
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- \time 2/4
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- \times 2/3 {
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- c4 c c
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- }
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- \time 3/4
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- c4
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- }
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- @end lilypond
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-
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-
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- This feature was sponsored by Trevor Bača.
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-
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- @item
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- Falls and doits can be added to notes
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-
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- @lilypond [fragment,ragged-right,relative=2]
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- \override Score.SpacingSpanner #'shortest-duration-space = #3.0
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- c4-\bendAfter #+5
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- c4-\bendAfter #-3
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- @end lilypond
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-
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- This feature was sponsored by Anthony Youngman and Paul Scott.
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-
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- @item
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- @code {lilypond-book } now includes support for PDF@TeX {}.
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-
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- This feature was sponsored by David Roundy.
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-
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- @item
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- Nested tuplets can have different formatting for each nesting level,
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-
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- @lilypond [ragged-right]
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- \new Staff {
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- \time 5/4
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- \tweak #'text #tuplet-number::calc-fraction-text
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- \times 5/3 {
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- \tweak #'text #tuplet-number::calc-denominator-text
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- \times 2/3 {
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- c'8[ c'8 c'8]
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- }
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- \times 2/3 {
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- c'8[ c'8 c'8]
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- }
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- \times 2/3 {
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- c'8[ c'8 c'8]
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- }
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- }
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- }
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- @end lilypond
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-
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- This feature was sponsored by Trevor Bača.
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-
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-
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- @item
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- New sections with different spacing parameters can be started with
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- @code {newSpacingSection }. This is useful when there are
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- sections with a different notions of long and short notes.
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-
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- In the following example, the time signature change introduces a new
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- section, and hence the 16ths notes are spaced wider.
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-
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- @lilypond [relative,fragment]
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- \time 2/4
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- c4 c8 c
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- c8 c c4 c16[ c c8] c4
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-
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- \newSpacingSection
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- \time 4/16
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- c16[ c c8]
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- @end lilypond
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-
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- This feature was sponsored by Trevor Bača, Michael Meixner and Vivian
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- Barty-Taylor.
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-
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@item
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A new, automated testing technique has been added. It will detect
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changes in the formatting automatically, which will make it easier to
@@ -234,7 +75,7 @@ View @uref{../../test-results.html,test results}.
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@item
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Figured bass can also be added to @code {Staff } contexts directly. In
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- this case, their vertical position is adjusted automatically.
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+ this case, their vertical position is adjusted automatically.
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@lilypond [ragged-right,fragment]
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<<
@@ -337,13 +178,10 @@ support for feathered beaming,
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\override Beam #'grow-direction = #LEFT
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c16[
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c c c
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- c c c ]
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+ c c c c ]
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}
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@end lilypond
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- Known bug: the \featherDuration command only works with very short music
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- snippets.
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-
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This feature was sponsored by Jamie Bullock.
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@item
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