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# Byte-compiled / optimized / DLL files | ||
__pycache__/ | ||
*.py[cod] | ||
*$py.class | ||
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# C extensions | ||
*.so | ||
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# Distribution / packaging | ||
.Python | ||
build/ | ||
develop-eggs/ | ||
dist/ | ||
downloads/ | ||
eggs/ | ||
.eggs/ | ||
lib/ | ||
lib64/ | ||
parts/ | ||
sdist/ | ||
var/ | ||
wheels/ | ||
share/python-wheels/ | ||
*.egg-info/ | ||
.installed.cfg | ||
*.egg | ||
MANIFEST | ||
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# PyInstaller | ||
# Usually these files are written by a python script from a template | ||
# before PyInstaller builds the exe, so as to inject date/other infos into it. | ||
*.manifest | ||
*.spec | ||
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# Installer logs | ||
pip-log.txt | ||
pip-delete-this-directory.txt | ||
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# Unit test / coverage reports | ||
htmlcov/ | ||
.tox/ | ||
.nox/ | ||
.coverage | ||
.coverage.* | ||
.cache | ||
nosetests.xml | ||
coverage.xml | ||
*.cover | ||
*.py,cover | ||
.hypothesis/ | ||
.pytest_cache/ | ||
cover/ | ||
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# Translations | ||
*.mo | ||
*.pot | ||
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# Django stuff: | ||
*.log | ||
local_settings.py | ||
db.sqlite3 | ||
db.sqlite3-journal | ||
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# Flask stuff: | ||
instance/ | ||
.webassets-cache | ||
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# Scrapy stuff: | ||
.scrapy | ||
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# Sphinx documentation | ||
docs/_build/ | ||
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# PyBuilder | ||
.pybuilder/ | ||
target/ | ||
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# Jupyter Notebook | ||
.ipynb_checkpoints | ||
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# IPython | ||
profile_default/ | ||
ipython_config.py | ||
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# pyenv | ||
# For a library or package, you might want to ignore these files since the code is | ||
# intended to run in multiple environments; otherwise, check them in: | ||
# .python-version | ||
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# pipenv | ||
# According to pypa/pipenv#598, it is recommended to include Pipfile.lock in version control. | ||
# However, in case of collaboration, if having platform-specific dependencies or dependencies | ||
# having no cross-platform support, pipenv may install dependencies that don't work, or not | ||
# install all needed dependencies. | ||
#Pipfile.lock | ||
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# poetry | ||
# Similar to Pipfile.lock, it is generally recommended to include poetry.lock in version control. | ||
# This is especially recommended for binary packages to ensure reproducibility, and is more | ||
# commonly ignored for libraries. | ||
# https://python-poetry.org/docs/basic-usage/#commit-your-poetrylock-file-to-version-control | ||
#poetry.lock | ||
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# pdm | ||
# Similar to Pipfile.lock, it is generally recommended to include pdm.lock in version control. | ||
#pdm.lock | ||
# pdm stores project-wide configurations in .pdm.toml, but it is recommended to not include it | ||
# in version control. | ||
# https://pdm.fming.dev/latest/usage/project/#working-with-version-control | ||
.pdm.toml | ||
.pdm-python | ||
.pdm-build/ | ||
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# PEP 582; used by e.g. github.com/David-OConnor/pyflow and github.com/pdm-project/pdm | ||
__pypackages__/ | ||
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# Celery stuff | ||
celerybeat-schedule | ||
celerybeat.pid | ||
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# SageMath parsed files | ||
*.sage.py | ||
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# Environments | ||
.env | ||
.venv | ||
env/ | ||
venv/ | ||
ENV/ | ||
env.bak/ | ||
venv.bak/ | ||
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# Spyder project settings | ||
.spyderproject | ||
.spyproject | ||
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# Rope project settings | ||
.ropeproject | ||
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# mkdocs documentation | ||
/site | ||
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# mypy | ||
.mypy_cache/ | ||
.dmypy.json | ||
dmypy.json | ||
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# Pyre type checker | ||
.pyre/ | ||
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# pytype static type analyzer | ||
.pytype/ | ||
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# Cython debug symbols | ||
cython_debug/ | ||
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.vscode | ||
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MIT License | ||
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Copyright (c) 2023 dataandsignal (original MATLAB libmusic_m) | ||
Copyright (c) 2024 Trevor Clark (Conversion to Python) | ||
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Permission is hereby granted, free of charge, to any person obtaining a copy | ||
of this software and associated documentation files (the "Software"), to deal | ||
in the Software without restriction, including without limitation the rights | ||
to use, copy, modify, merge, publish, distribute, sublicense, and/or sell | ||
copies of the Software, and to permit persons to whom the Software is | ||
furnished to do so, subject to the following conditions: | ||
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The above copyright notice and this permission notice shall be included in all | ||
copies or substantial portions of the Software. | ||
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THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR | ||
IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, | ||
FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE | ||
AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER | ||
LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, | ||
OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE | ||
SOFTWARE. |
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# libmusic_py | ||
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This is a reimplementation of | ||
[libmusic_m](https://github.com/dataandsignal/libmusic_m) in python. I tested | ||
with the lm_single_tone_noise.m lm_dual_tone_noise.m example files, but haven't | ||
gone through all the tests for libmusic_m so there may be bugs. I also didn't | ||
reimplement some of the plotting capability in libmusic_m. Pull requests welcome. | ||
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Based on the two examples everything nominally works, but if you encounter a bug | ||
it is likely due to my reimplementation and not the original libmusic_m so | ||
please do **NOT** file issues against libmusic_m. | ||
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This is a Python implementation of spectral methods based on signal space | ||
decomposition. The idea behind those methods is to decompose noisy signal into | ||
pure signal and noise. Methods provided here are: | ||
- MUSIC (and special case of Pisarenko) | ||
- EV | ||
- Minimum Norm | ||
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![Dual Tone Noise](images/dual_tone_noise.png) | ||
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You will find examples in **examples** folder and tests in **tests** (not | ||
implemented yet) folder. There is also specific support for DTMF (dual tone | ||
signals), including a toy testing framework for them. Just ignore them or reuse | ||
that for your own purposes. | ||
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# Using in Python | ||
1. install libmusic, `python -m pip install .` | ||
2. Create a method object | ||
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```python | ||
from libmusic_py import lm_spectral_method | ||
lm = lm_spectral_method(kind, M, 2*P) | ||
``` | ||
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where <b>kind</b> is one of `pisarenko/music/ev/mn`, <b>M</b> is autocorrelation | ||
order and <b>P</b> is number of real signal sources. | ||
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1. Process input samples and optionally capture the intermediate results (all | ||
eigenvectors, signal eigenvectors, noise eigenvectors, eigenvalues, | ||
autocorrelation matrix) | ||
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```python | ||
Vy,Vx,Ve,A,Ry = method.process(y) | ||
``` | ||
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4. Compute full PSD for frequencies 1 - 4000 Hz (sampling rate is 8 kHz) | ||
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```python | ||
s = np.linspace(1, 4000, 4000, endpoint=True) | ||
X2,d2 = method.psd(method, f, 8000) | ||
plt.figure() | ||
plot(f,X2) | ||
``` | ||
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TODO add plot from python | ||
<!-- ![2tone_psd](https://user-images.githubusercontent.com/40000574/190016488-6add0a3b-7601-44cb-a37e-6b01adf37529.jpg) --> | ||
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5. Get frequency components by eigenrooting (roots of the Z-transforms of noise | ||
eigenvectors) | ||
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```python | ||
fs = method.eigenrooting(Fs, 0, 0) | ||
``` | ||
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6. Get detected frequencies by peak searching (considering only these | ||
frequencies that are passed in fs). peakWidth is a width of a peak, use 0 for | ||
default | ||
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```python | ||
peaks, pmu = method.peaks(fs, Fs, peakWidth) | ||
``` | ||
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7. In case of 1 or 2 sinusoids, get amplitudes by correlation method | ||
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```python | ||
A = method.single_tone_amplitude() | ||
A = method.dual_tone_amplitude(f1, f2, Fs) | ||
``` | ||
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8. In case of any number of sinusoids, get all amplitudes (for each frequency component given in fs) | ||
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```python | ||
A = method.solve_for_amplitudes(fs, Fs) | ||
``` | ||
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Copyright (C) 2022, Piotr Gregor [email protected] | ||
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3D plots not impolemented | ||
<!-- ![lm5](https://user-images.githubusercontent.com/40000574/190017795-051ef15c-404d-4868-a0e3-dc462e838632.jpg) --> | ||
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## Performance in noise | ||
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In a noisy environment, MUSIC performs well as long as SNR is above 66.53 dB. | ||
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## Applications | ||
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In telephony, DTMF symbols must be removed from stream, due too sensitive data | ||
protection. Often though, fractions of those DTMFs are left in a stream and must | ||
be removed. This cannot be done with Goertzel algorithm as it needs more than | ||
110 samples to achieve right frequency resolution, to be able to detect DTMF | ||
frequencies. An example of such DTMF fraction is shown on the picture. This one | ||
is 14 samples in length (1.75 ms at a sampling rate of 8000 Hz). | ||
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TODO | ||
<!-- ![dtmf_test_vector_valid](https://user-images.githubusercontent.com/40000574/190151206-2e7b78a0-0d79-459f-bf8f-cf422fd9da72.jpg) --> | ||
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With MUSIC, samples requirement is reduced from 110 to 8 and frequency | ||
resolution (accuracy) increased from 72.73 Hz to 10^-2 Hz in the same time. This | ||
picture presents correctness as a percentage of detected fractions of dual tone | ||
signals (DTMFs), by input vector length **N** (8,9,10,11,12,14), autocorrelation | ||
order **M** (4-8) and fraction length **L** (8-28 samples). | ||
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TODO | ||
<!-- ![dtmf_test_valid_freq_2](https://user-images.githubusercontent.com/40000574/190211567-43419122-a4bc-40c4-9e26-e7e9612ab8b8.jpg) --> | ||
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For example, using a block of N=12 samples, all fractions of length L=10 and | ||
above can be detected (with autocorrelation order M={6,7}). N=8 detects all | ||
fractions longer than 8 samples (1 ms) with M=4. | ||
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## C library | ||
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A C library built on libmusic_m's results is [libmusic](https://github.com/dataandsignal/libmusic) | ||
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## Repository | ||
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URL: https://github.com/tkuraku/libmusic_py | ||
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## Further reading, references | ||
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A good references about spectral analysis and space decomposition methods are: | ||
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- Hayes M. H., Statistical Digital Signal Processing And Modeling, Georgia | ||
Institute of Technology, Wiley, 2008 | ||
- Lawrence Marple S. Jr., Digital Spectral Analysis, Dover Publications, 2019 | ||
- Schmidt R. O., Multiple Emitter Location and Signal Parameter Estimation, IEEE | ||
Transactions on Antennas and Propagation, Vol. AP-34, No. 3, 1986 | ||
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These references are missing though (or skipping intentionally) a crucial result | ||
about autocorrelation and sinusoids embedded in a vector space whose elements | ||
are shifted samples of that same sinusoid (with all the phases). This is a | ||
fundamental finding space decomposition methods are built on. | ||
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This is explained in more detail in: | ||
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- Penny W. D., Signal Processing Course, University College London, 2000 | ||
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- Piotr Gregor's [engineering | ||
thesis](https://drive.google.com/file/d/1dfen9z3E5YuNjXSm3PTG00R4N38hmIMR/view?usp=sharing) | ||
(written in polish, probably will be translated to english) | ||
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## Copyright | ||
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LIBMUSIC | ||
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Copyright (C) 2018-2022, Piotr Gregor [email protected] | ||
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August 2022 | ||
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2024 Trevor Clark Conversion to Python | ||
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